A Coordinated Europeanization of the Comics Industry through Distribution

The Politics of the Global Journey of Astérix and Tintin through the Strategic Distribution of their Magazines and Contents in the 1960s

Authors

  • Jessica Burton Centre for Contemporary and Digital History (C²DH), Luxembourg

DOI:

https://doi.org/10.22029/oc.2019.1169

Keywords:

comics, publishing

Abstract

Researchers have usually focused on the Tintin and Astérix series’ global book diffusion through translation. However, little has been discussed about the distribution policies of the comics magazine format, a key factor in the development of European comics. This paper will consider the continentalization of western European national comics industries via the intra-EEC networking of distribution channels during the 1960s. By facilitating the exchange of comics features in the Franco-Belgian area, publishers such as Casterman, Le Lombard, and Dargaud ensured the rise of the industry and of the products they wanted to disseminate. Contemplating the motivations of publishers this article will delve deeper into the emergence of cooperative and competitive distribution channels among national publishers and between countries. Through the archives of Casterman and primary sources this article intends to contribute to a greater understanding of how the carefully planned distribution network of comics influenced the development of the European industry as a whole.

Author Biography

  • Jessica Burton, Centre for Contemporary and Digital History (C²DH), Luxembourg

    Jessica Burton is a PhD researcher at the Centre for Contemporary and Digital History (C²DH) in Luxembourg, working on the PopKult60 project, and analyzing the relationship between American and European comics in the 1960s. She specializes in Comics Studies, and obtained her masters in the subject from the University of Dundee in 2014. She also completed a bachelors with honors in French Studies at the University of London Institute in Paris in 2013. Jessica remains active in the field of comics production, most recently as an Editor for the UK’s primary publisher, Titan Comics on titles such as Doctor Who.

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