Indigenous Decolonization of Western Notions of Time and History through Literary and Visual Arts

Abstract

Since the early colonial period, indigenous peoples around the globe have been framed as being anchored in the past with the intent to leave them outside of history. This meant assigning lesser value to their forms of life and thought than to those of the West. In response to this strategic misrepresentation, indigenous peoples reached for their own notions of history and time. Thus, history and time become a highly contested terrain. In this essay, we explore some of the strategies used by two indigenous communities to decolonize Western representations of these groups. One of the case studies looks at how, in his 1958 novel Things Fall Apart, Igbo Anglophone writer Chinua Achebe deploys narrative time to challenge the Hegelian notion of sub-Saharan Africa as being ‘outside of history.’ On the other side of the globe, contemporary Maya artists use their ancestral philosophies of time that included the coexistence of multiple temporalities, as a way to challenge the universality of Western ideas of progressive time, and thus of Western constructions of history. Through the literary and the visual, the Igbo and the Maya decolonize normative representations of time in their efforts to re-inscribe their place in global history.