Perrear hasta el piso or How to Dance Reggaetón in Germany

Authors

  • Miguel Ángel Castro Caballero GCSC , Justus Liebig University Giessen image/svg+xml

DOI:

https://doi.org/10.22029/oc.2026.1540

Keywords:

reggaetón, festiveness, ritual, celebration, Latin America

Abstract

This auto-ethnographic _Perspective reflects on reggaetón music, its festive experience, and the cultural changes it has undergone in the Latin migrant context. Two years ago, a collective of Latin American DJs founded La Casa del Perreo in Germany. Since then, they have hosted reggaetón parties in various European cities. The _Perspective traces the cultural meanings behind this music scene in the context of migration. These festive events become a space of socialization and celebration of Latin American culture. At the disco, reggaetón music and culture are showcased not only as a mainstream product, but also as a landscape within which the Latin American experience is performed and celebrated. Through my personal experience of attending various reggaetón parties in Germany, I explore the cultural significance of the reggaetón scene.

Author Biography

  • Miguel Ángel Castro Caballero, GCSC, Justus Liebig University Giessen

    Miguel Ángel Castro Caballero is a doctoral student and scholarship holder at the Graduate Centre for Studies of the Culture (GCSC) at Justus Liebig University Giessen (JLU). He has participated in research projects on political violence, memory politics, and narrative theories.

References

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Published

2026-05-31

Issue

Section

_Perspectives