Jerūiyq

Journey Beyond the Horizon

Authors

DOI:

https://doi.org/10.22029/oc.2025.1512

Keywords:

decolonial futurism, contemporary art, geographical imagination, art of Kazakhstan

Abstract

The Kazakhstan project at the 60th Venice Biennale (20 April 2024–24 November 2024) was titled Jerūiyq: Journey Beyond the Horizon. According to the curators, Anvar Musrepov and Danagul Tolepbay, it aimed to stimulate Kazakh decolonial futurism: “We wanted to create our own Wakanda, our post-nomadic essence, our ‘Kazakhness.’ Technology and the future are present in it, but they are not the primary focus. There is something beyond language, a spirituality, perhaps something connected to space and the landscape, our identity, which largely determines our way of thinking.” In these words we see how decolonial futurism functions as a creative disruptive fiction that mediates between forging spatial identity, geographical imagination, and decolonial indigeneity.

Author Biography

  • Nikolay Smirnov, Kassel University

    Nikolay Smirnov is a geographer, curator, and researcher. He explores geographical imaginations and the representations of space and place in art, science, museums, and everyday life. His work focuses on analyzing and implementing complex narratives in texts and exhibitions. In 2023–2024, he was a research associate at the documenta Institut (Kassel). Since 2024, Smirnov has been a doctoral student at the DFG Research Training Group Organizing Architectures and the Department of Architecture, Urban and Landscape Planning at the University of Kassel, working on a dissertation exploring the modelling of city images in Soviet theoretical geography and post-Soviet geohumanities.

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Published

2025-10-31

Issue

Section

_Perspectives