Designing Disappearance

On the Cultural and Affective Histories of Waste

Authors

  • Laura Moisi Humboldt Universität zu Berlin

DOI:

https://doi.org/10.22029/oc.2024.1464

Keywords:

Affect Theory, Discard Studies, Cultural History, Political Aesthetics, Waste Design, Discard Literature

Abstract

The _Essay explores affective and cultural legacies embedded in disposal architectures. Drawing on various theories of waste, it examines the material histories of domestic disposal and notions of affect and belonging. Central questions include how the design, function, and everyday use of disposal systems shape perceptions of waste; how these architectures relate to notions of citizenship; and how waste is perceived as either a social good or a mere trace of survival. In different literary and cultural contexts, the _Essay examines historically shaped distinctions between purity and pollution, necessity and excess, and structure and disorder through the lenses of Lauren Berlant's concept of intimate publics and cultural theories of waste

Author Biography

  • Laura Moisi, Humboldt Universität zu Berlin
    Laura Moisi is a cultural studies scholar and lecturer based in Berlin. She completed her PhD at the Institute for Cultural History and Theory at Humboldt University of Berlin, focusing on the contemporary history and politicized rhetoric of waste in German and American culture (Die Politisierung des Abfalls, de Gruyter, 2020). Her current project examines popular discourses of violence and intimacy through the lenses of media history, literature, and feminist affect studies. Her research interests include popular culture, literary criticism, political aesthetics and theories of liberation and resistance.

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Published

2024-10-31