The Value of Literature

The Discard of Society in Wilhelm Raabe’s Pfisters Mühle: Ein Sommerferienheft

Authors

  • Matthew Childs University of Washington

DOI:

https://doi.org/10.22029/oc.2024.1442

Keywords:

discard studies, capitalism, aesthetics, pollution, value

Abstract

This _Article explores the way in which Wilhelm Raabe’s 1884 novel Pfisters Mühle: Ein Sommerferienheft signals and depicts how society’s transition into industrial capitalist conditions leads to discarding previously valued forms of social and economic arrangement. To demonstrate this process, this paper utilizes aspects of Michael Thompson’s rubbish theory that find resonance in the novel’s depiction, as the system of values that had symbolized a more rural manner of living gradually change from a durable to a rubbish state. In Raabe’s novel, that process is depicted with a sugar factory, Krickerode, polluting the waters upstream from Pfister’s mill. This leads to the closure of the mill, Bertram Pfister’s death, and the way of life they together represent. Evidence for the reconfiguration of societal values according to industrial capitalist priorities (i.e., commodification and capital accumulation) arises when, in reaction to the pollution and its devastating effects, characters shift attention to decision-making on the part of mill’s proprietor, Bertram, using a nascent finance language. Why didn’t he cofound (mitgründen) or purchase stocks (Aktien) in the sugar factory? Why not become a shareholder (Aktionär) and become a partner to progress, rather than, as it is implied, a victim? This paper concludes by examining how the narrator’s account and its transformation into rubbish become its own repository of non-valued value that stands outside the trappings of any given system.

Author Biography

  • Matthew Childs, University of Washington

    Matthew Childs is a Visiting Assistant Professor in the Department of German and Russian at Wake Forest University. He is a scholar of eighteenth- and nineteenth-century German literature and intellectual history, the environmental humanities, and race and imperialism in the German context. His current projects include Catastrophe and Critique: A Dialectic of German Modernity, a book which focuses on the development of the catastrophe concept and its relationship to critique in intellectual and literary discourses from 1755 to Walter Benjamin’s suicide; Race and Germany, co-authored with Prof. Jonathan Warren (University of Washington), that examines the history and contemporary discursive trends of race in Germany; and Critical Catastrophe Studies, a volume co-edited with Christoph Weber (University of North Texas) that brings together contributions from scholars around the world to discuss the intersection of catastrophe and critique and its implications for contemporary issues.

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Published

2024-10-31