“Alle Apparate abschalten.” Conceiving Love and Technology with Heidegger And Kittler
DOI:
https://doi.org/10.22029/oc.2020.1176Keywords:
Friedrich A. Kittler, love, technology, Martin Heidegger, popular culture studiesAbstract
This article explores Friedrich Kittler’s conception of the intersection of love with modern technology and illustrates the theoretical insights gained by considering Spike Jonze’s film Her (2013). I focus on the theoretical examination of Heidegger’s philosophy of technology in general and the concomitant notion of ‘enframing’ in particular to shed further light on Kittler’s reflection on love that pervades the latter’s entire oeuvre. The article then interrogates whether, and under what circumstances, modern technology might foster said ‘truth events’ by focusing on: first, love among human beings, second, love among technological beings, and, third, love between human beings and technological beings. Thereby, Spike Jonze’s critically acclaimed science-fiction drama Her, depicting a romantic relationship between a human being and a computer operating system, serves as a reference point in illustrating Kittler’s multifaceted conception of the nexus of love and modern technology.