The Postmodern Turn as a Linguistic Turn in Women´s Experimental Writing
DOI:
https://doi.org/10.22029/ko.2007.370Abstract
Kornelia Freitag's contribution to the study of women's experimental writing investigates how contemporary American women poets have developed a critique of culture and representation that is strictly related to postmodern theory. After sketching a general overview of the development and reception of women's experimental poetry from the '60s to the present, Freitag concentrates on the poetry of Rosemary Waldrop, Lyn Hejinian and Susan Howe. The three poets, whose work is analysed through accurate close-readings, are presented in the light of their interventions in the deconstruction of three normative discourses: philosophy, genre theory and history.
Downloads
Published
Issue
Section
License
All articles (not book covers) in KULT_online from issue 50 on are published under the license Creative Commons Attribution 4.0. All published articles may be reused under the conditions of the license, particularly for commercial purposes and through editing the article (Human-Readable Summary). All authors (have) permitted the publication under the above mentioned license. There is no copyright transfer towards KULT_online. For all book covers specific rights might be reserved, please contact the respective publisher for any lawful reuse. All contributions published in issue 1-49 of KULT_online are free available online and protected by the German Copyright Law.
