Fiction as Imagining: How Possible Worlds Theory Escaped the Prison of Language
DOI:
https://doi.org/10.22029/ko.2021.1204Abstract
According to Possible Worlds Theory and Contemporary Narratology (2019), possible worlds theory was introduced to literary studies when the textualist schools of thought dominated the field. Literary interpretation had come to a dead-end: if everything was language, literary meaning could be interpreted only as a play of language. The edited volume explains how viewing fiction as world-building instead of a language game made it again “possible to say that literary works were about something” (p. 316). The book's main focus is on what the theory offers to contemporary narratology and developing it further.
Published
Issue
Section
License
All articles (not book covers) in KULT_online from issue 50 on are published under the license Creative Commons Attribution 4.0. All published articles may be reused under the conditions of the license, particularly for commercial purposes and through editing the article (Human-Readable Summary). All authors (have) permitted the publication under the above mentioned license. There is no copyright transfer towards KULT_online. For all book covers specific rights might be reserved, please contact the respective publisher for any lawful reuse. All contributions published in issue 1-49 of KULT_online are free available online and protected by the German Copyright Law.
