The Polyphonic Voices of Postmigration

Authors

DOI:

https://doi.org/10.22029/ko.2022.1328

Abstract

Postmigration has become a prominent concept within the Humanities. Postmigration: Art, Culture, and Politics in Contemporary Europe clarifies many questions circulating around the source of its ideas. The authors portray different approaches and lay out a chronology of the term´s multifaced interpretations. Elaborating its actual qualities along artistic objects and cultural spaces, the contributions of the volume provide a notion of postmigration that effectively negotiates complexities of the contemporary.

Author Biography

  • Dzifa Peters, Universidade Católica Portuguesa/ Justus-Liebig Universität Giessen

    Dzifa Peters is a German-Ghanaian visual artist and researcher. 
As a Ph.D. candidate in Culture Studies, she is currently working on her doctorate in the field of AfroDiasporic identities and their visual representations at The Lisbon Consortium and the Research Centre for Communication and Culture (CECC) at Universidade Católica Portuguesa in Lisbon. She is also a Visiting Doctoral Researcher in cotutelle at the Graduate Centre for the Study of Culture (GCSC) at Justus- Liebig-Universität Giessen, as well as working internationally as a freelance artist and on curatorial projects. Her research project is funded by the Fundação para a Ciência e a Tecnologia (FCT) and analyses colonial, postcolonial, diasporic, and contemporary identities through the format of photography, to investigate phenomena of identity constructions that indicate alternations of coexisting cultural identities and perspectives. As an artist, she has participated in several exhibitions internationally and has received various artistic grants amongst them from DAAD (German Academic Exchange Service) and Ministry for Families, Children, Youth, Culture and Sport of the State of North Rhine-Westphalia Germany.

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Published

2022-10-24

Issue

No. 66 (2022): KULT_online 66 (2022)

Section

KULT_reviews

License

All articles (not book covers) in KULT_online from issue 50 on are published under the license Creative Commons Attribution 4.0. All published articles may be reused under the conditions of the license, particularly for commercial purposes and through editing the article (Human-Readable Summary). All authors (have) permitted the publication under the above mentioned license. There is no copyright transfer towards KULT_online. For all book covers specific rights might be reserved, please contact the respective publisher for any lawful reuse. All contributions published in issue 1-49 of KULT_online are free available online and protected by the German Copyright Law.

How to Cite

“The Polyphonic Voices of Postmigration”. 2022. KULT_online, no. 66 (October). https://doi.org/10.22029/ko.2022.1328.