No. 13 (2022): In_Visibilities

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Issue 13 (Summer 2022): "In_Visibilities"

Published: 2022-07-15

_Editorial

In_Visibilities Self-representation, Othering, and Power in Visual Culture

Jana Tiborra, Katharina Wolf
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_Articles

Mohamedou Ould Slahi’s Guantánamo Diary through the Lens of In_Visibility

Stella Chachali
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Re-Constructing Femininities Perverting Performance in Hannahlisa Kunyik’s Susanne fotografiert mich beim Bade (2011/2012/2018)

Annemarie Nowaczek
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Reclaiming Agency through the Politics of the In_Visible Body Illegalized Migration and Self-Representation of Women Domestic Workers in Switzerland

Victor Santos Rodriguez, Maevia Griffiths
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Hiding in Plain Sight Minoritarian Approaches to Espionage, Forensic Architecture, and In_Visible Co-Producers

Lisa Stuckey
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Invisible Superstructure of the Visible Contested Notions of Authorized Order, or How to Render the Kankurang In_Visible

Claudia Ba
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_Essays

Terror Machines Social Bots in Struggles for Hegemony in Digital Publics

Ramón Reichert
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The Rethinking the Politics of In_Visibility post #Metoo?

Kath Woodward
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_Perspectives

“The (In)Visible Man” Renegotiating Asian American Masculinities in the 21st Century

Nhi Thao Do
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Hijacking the Patriarchy Pussy Riot’s and LASTESIS’ Networked Performances

Mona Schubert
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Decolonization and In_Visibilities in Colonial Archives The FCO 141 Series and the (Redemptive?) Power of Placement

Riley Linebaugh
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Women Artists—Still Invisible Today? A Critical Approach to Strategies of Making Women Artists Visible

Lisa Maria Pregitzer
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Negotiating Sculptures through In_Visibilities The Case of anti-Semitic Reliefs in German Churches

Charlotte Püttmann, Sarah-Lea Effert
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Making the ‘Other’ Visible in Ethnographic Research Reflections through the Lens of Caste and Gender, from a Non-Metropolitan City in West Bengal, India

Ekata Bakshi
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How to Curate a Sexist yet Canonized Artwork? A Model for Feminist Curating of Collections

Taya Hanauer-Rehavia
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