How is music? Christian Grüny’s reflection on an idiosyncratic practice
DOI:
https://doi.org/10.22029/ko.2015.881Abstract
In his study, Christian Grüny explores music as 'Sinngeschehen', as genuine production of sense. To do that he consistently avoids a comprehensive theoretical system. His 'philosophical constellations' aim to carefully fit his own thinking to the movement of its object and thus allow to 'appear, what otherwise would pass unseen'.
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